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1. PLANNING CONCEPT SHOPPING MALL PROJECT MANAGMENT FULL
2. PLANNING CONCEPT SHOPPING MALL PROJECT MANAGMENT PROFESSIONAL

The hybrid that Saltlake City Centre seems to demolish that concept to a fault. Malls work on using such magnets to draw visitors to more incidental shopping through such destinations. Streets provide equal significance to a wide variety of shops along it. With the open street concept, one could enter anywhere, continue along a street an reach the primary real estate magnets of the Anchor Shop, the food court or the Multiplex, while conveniently bypassing the shops around or embedded within, out of the purview of visual shopfront. I felt then that the problem inherently lied in the hybrid attempt of merging street with Mall.

PLANNING CONCEPT SHOPPING MALL PROJECT MANAGMENT FULL

I visited it again with friends as a more mature architect a couple if years hence, and still fell trap to missing out on the full shopping experience. I enjoyed it thoroughly bit I remember not seeing it fully for some reason beyond my understanding then. I remember visiting it with refreshing awe at the hybrid semblage of the western Mall concept and the traditional Indian street. I was in Kolkata, working under the tutelage of celebrated Kolkata architect, Shri Prabir Mitra when the Saltlake City Centre happened. His first book, ‘Space for Engagement: The Indian Artplace and a Habitational Approach to Architecture’ was published in 2008 by Seagull Books, Kolkata

PLANNING CONCEPT SHOPPING MALL PROJECT MANAGMENT PROFESSIONAL

Himanshu has written extensively on architecture, art and urbanism in the popular and professional press, and has been invited to speak at many national and international conferences in India and abroad.

1990), has been actively involved in architectural practice, research, writing and teaching. A graduate of Sir JJ College of Architecture, Mumbai (B.

Himanshu Burte, is an architect and an Assistant Professor at the School of Habitat Studies, at Tata Institute of Social Sciences, Mumbai. Pity, that this simplest of arguments is so little supported by much of the architecture in our cities and towns today. And whether it is a retail space or an artplace, visitors and dwellers are its reason for existence. However, one man’s headache is in this case, the delectation of most visitors. To the manager of the facility, this openness must certainly be a headache. As in Kala Akademi, Panaji, he literally dissolves the idea of central control by having multiple entries and a highly penetrable environment. Ground Floor: SourceĪt Salt Lake City Centre, Correa has kept the air conditioned spaces deeper inside so that what greets the visitor is always the embrace of open space and penetrable built form which pulls you in.

Since we know that conditioned air is much more expensive, ventilation also becomes an issue about inclusiveness. The ventilation system, we unconsciously note as visitors, is also subtly about the ease with which people’s movement may flow in and out of a building along with air. The barrier to air is also felt as a barrier to our own movement. Outside air may not flow freely through indoor space. Airconditioning is the most direct expression of this attitude. It thrives on turning its back on what is out there. The American model of the mall is of a completely sealed box which keeps the city out. Image Courtesy: Charles Correa FoundationĬorrea’s design is about a sociable connection between the mall as a shopping space, and the city in which it stands. It is an argument, once again, about the relevance of many old spatial traditions to our most contemporary architectural needs. Wonderful as it is, Correa’s design is actually more than just a skilful piece of architecture. But I did think that Correa’s design offers a kind of benchmark for all such mall designs anywhere in India, to contend with, not just the ‘new’ mall. It thus struck me as significant that a non-architect had thought it interesting to compare the ‘old’ and the new designs. So I could not form any opinion on the new mall I have, of course, visited as well as written about Correa’s project. Image Courtesy: Charles Correa Foundation The article tried to ask how well the new mall (designed by Kapil Bhalla of Mumbai) fared in comparison with Correa’s design. Recently I read an article about a new entertainment and shopping centre by the same developers, Ambuja Realty, which extends the City Centre brand. Most who have seen it remember it as an exceptional conversation between two distinct traditions of shopping- the traditional open markets of Indian streets on the one hand, and the controlled box of the American style mall that has stormed Indian cities over the last few years. Charles Correa’s design for the Salt Lake City Centre, Kolkata was built in 2004.